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Pulitzer Prizes Hit a New Note
Jazz got a Pulitzer for the first time yesterday when Wynton Marsalis got the prize for “Blood on the Fields,” an oratorio that follows the agonizing journey of two slaves, Jesse and Leona, from capture and the terror of the Middle Passage to their sale in a New Orleans marketplace and into the hardships of plantation life. Keep reading »
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Marsalis’s ‘Blood’: The Spirit Moves It
It’s not the ambition of Wynton Marsalis’s “Blood on the Fields” that’s astounding, but the composer’s assurance in addressing the shameful institution of American slavery. Keep reading »
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Marsalis’ Gamble
With a cast of roughly two dozen musicians, a running time of nearly three hours and a forthcoming recording that will fill a three-CD boxed set, it is the single biggest project of Wynton Marsalis’ career to date. Keep reading »